Morning in Baga

It is 9 am, Lagos, and the dust has settled from automobiles whose tyres grazed the road tar from the early seconds of the breaking day. It is 9am. Workers have settled into their seats and morning rote slowly beginning. The city moves on with an indifference to change and fear. Indifference. After all, 187 people, or so, mowed down to the brute rhythms of the state’s guns are forever going to be faceless. No national media is going to splash their names and faces on its front cover. There shall be no state funerals or flags at half mast. There shall be no presidential declaration to find the culprits and bring them to book, if only in rote satisfaction of some archaic government protocol. Government magic. Unknown soldier. Vagabonds in power. Collateral damage. Yesterday’s men in green jackboots and auto rifles.

It is 9pm, in Baga, sometime on Friday. Dozens of families woke up to rattles of the government guns pursuing faceless culprits in a shadow war. Forget Boston. Who cares if a city can find one terror suspect in 24 hours without a single collateral damage to innocent lives and properties. This is the giant of Africa! Forget a public information network to alert the public about who the enemy is. Heck, forget the idiotic law that mandates military action only in times of war. Boko Haram lives within you, the guns rattled, they die, as do you. A gun does not tell apart a somnolent villager and a terror suspect hiding within the leaves of a banana plant. Ratatatata, the rhythms of flesh and blood splattered to the beats of falling limbs and tree stems.

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The national news is silent. Reuben is waking up in the bosom of a dame in the Abuja Hilton. Mr. Jonathan had just composed his condolence message to the families of the three victims of the Boston blasts. The state governor in Borno plans his next foreign trip. Lagos wakes, early as it does, with the soft rhythms of dust and rubber tyres. Temperature: 87 degrees Fahrenheit. The dour morning promises rain, and welcome indifference. Across from us, thousands of miles away, pain, and the next planned carnage of the state. Miranda rights and collateral damage just went on an ill-fated date in the wilderness.

 

“Little Blood Flowed” – Presidency.

The dead of Baga sprawl with the leaves on loaves of lead.

Removed from us in mute indifference, we the living dead.

On the trigger that night were notes of “Them? Oh, who cares?

There was where evil hid. Let the living make repairs.”

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NEWS:

President Jonathan Quiet more than 48 hours After Massacre in Borno” (Premium Times)

Pity Boston, Ignore Nigeria: The Limits of Compassion” (The Daily Beast)

“Massacre in Nigeria Spurs Outcry Over Military Tactics” (The New York Times)

The Fela Rhymes

It caught my eye a couple of years ago, and I haven’t got any satisfactory answer as to their accidental or deliberate inclusion in the structure of the song.

Fela is notable for his retention of the classical jazzy style of music from America and a deliberately African(ized) and political lyric form along with heavy beats and horns. Rhyming for him would have been out of the ordinary. But in the song Trouble Sleep, I noticed the following (the rhyming is emphasized):

Tenant lost im job

E sit down for house

E dey think of chop

Mister Landlord come wake am up

He say mister pay me your rent

Wetin e dey find…

Mister husband marry for church

E make big party

They e start to spray

because him love im wife

This im wife come run away

Bank manager run come

E say mister pay me your debt

Wetin e dey find…

It looks more like an accidental rhyming, especially since no such structure (if we could call it that) appeared anywhere in the second verse which I omitted in this transcript. Yet, It will be interesting if it turns out that the maestro had deliberately worked rhyming effects into one of his famous ballads. What do you think?

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UPDATE:

Fela’s first son -a former band member, and an Afrobeat musician of note in his own right (been nominated twice for the Grammy) – Femi Kuti, responded to my post earlier this evening, on twitter:

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I guess that settles that!

Adventures of a Camera

Camera 360 Camera 360 2013-04-17 08.53.39 2013-04-17 08.15.42 2013-04-15 16.19.49 2013-04-15 09.50.29 Fullscreen capture 4212013 12342 PM.bmp 2013-04-15 07.03.092013-04-20 18.25.09Once upon a time, a camera – a Canon handheld camera. Two cameras, actually, of the same brand, both purchased in the US. That is where the story begins and stops, except for a few other details: each originating in a Radio Shack shop, for about $250, and both ending up lost, along with a treasure trove of photographs that would never again be retrieved. One originated in Providence, Rhode Island, and disappeared at Six Flags, Missouri. The other at Radio Shack, Glen Carbon, and disappeared in a taxi in Lagos Nigeria.

And so one day, a bright idea: why not kill two birds with one stone? The camera on one of the latest Sony Xperia smartphones is reputed to be one of the best in the market. And since in need of a new phone anyway, an investment in a smart phone – the first for this traveler reputed for unexplainable reticence with regards to new technological fads – seemed, all of a sudden, like a good idea. The traveller gains access to the latest perks in mobile technology as well as a handheld camera all embedded in the same device.

It seems now to have worked so far, except for the occasional wait for the camera function to activate when summoned in the middle of another phone function. With thousands of new app functionalities to improve the camera experience, there seems to be something to keep me occupied for a few months to come. And then, a few days ago, I stumbled on Instagram, and the journey is complete. Here’s a platform for showcasing the trial and errors of one’s photographic experiences and experiments with colour and filter.

Enjoy these very few ones around Lagos, through the eyes of an Xperia lens.

1000th Post

From the distance of idleness when all that needed to be done were viewed and weighed against all that could go wrong, a thousand posts on a blog meant to document an educational trip might have seemed like an impossible dream. In the case of this blog, it helped to never have anticipated anything other than a desire to communicate thoughts and opinions day after day. Thus, when a day like today came, it would seem both grand and ordinary at the same time. Yes, a thousand posts, and about 355,375 words have come across these pages in thoughts and opinions, and touched people in different parts of the world. It means nothing, really, but as an outlet of thoughts and observations, it has been a much welcome therapy.

2013-04-15 18.41.35If the world has changed a single bit since the first post came up here, I haven’t seen it, as the bomb attacks on Boston yesterday makes clear. As I type, there are reports of police presence at Logan Airport in pursuit of a suspicious object. Back in Nigeria, the carnage caused and promised by Boko Haram in the North, and MEND in the South shows no signs of retreat. One politician escapes assassination by the whiskers on the streets of his home town. Another one gets reprieve from the federal government (even though a number of corruption charges against him are still pending in the UK). Margaret Thatcher is dead (along with an era of her type of conservatism). Mandela, George H.W. Bush, and Fidel Castro (three men that couldn’t be any more dissimilar) are on an in-and-out terminal list. The world is moving on, as it always does, ever on the brink o another war.

A poem then?

The Revel by Bartholomew Dowling (b. 182—)

WE meet ’neath the sounding rafter,
And the walls around are bare;
As they shout back our peals of laughter
It seems that the dead are there.
Then stand to your glasses, steady!
We drink in our comrades’ eyes:
One cup to the dead already—
Hurrah for the next that dies!

Not here are the goblets glowing,
Not here is the vintage sweet;
’T is cold, as our hearts are growing,
And dark as the doom we meet.
But stand to your glasses, steady!
And soon shall our pulses rise:
A cup to the dead already—
Hurrah for the next that dies!

There ’s many a hand that ’s shaking,
And many a cheek that ’s sunk;
But soon, though our hearts are breaking,
They ’ll burn with the wine we’ve drunk.
Then stand to your glasses, steady!
’T is here the revival lies:
Quaff a cup to the dead already—
Hurrah for the next that dies!

Time was when we laugh’d at others;
We thought we were wiser then;
Ha! ha! let them think of their mothers,
Who hope to see them again.
No! stand to your glasses, steady!
The thoughtless is here the wise:
One cup to the dead already—
Hurrah for the next that dies!

Not a sigh for the lot that darkles,
Not a tear for the friends that sink;
We ’ll fall, ’midst the wine-cup’s sparkles,
As mute as the wine we drink.
Come stand to your glasses, steady!
’T is this that the respite buys:
A cup to the dead already—
Hurrah for the next that dies!

There ’s a mist on the glass congealing,
’T is the hurricane’s sultry breath;
And thus does the warmth of feeling
Turn ice in the grasp of Death.
But stand to your glasses, steady!
For a moment the vapor flies:
Quaff a cup to the dead already—
Hurrah for the next that dies!

Who dreads to the dust returning?
Who shrinks from the sable shore,
Where the high and haughty yearning
Of the soul can sting no more?
No, stand to your glasses, steady!
The world is a world of lies:
A cup to the dead already—
And hurrah for the next that dies!

Cut off from the land that bore us,
Betray’d by the land we find,
When the brightest have gone before us,
And the dullest are most behind—
Stand, stand to your glasses, steady!
’T is all we have left to prize:
One cup to the dead already—
Hurrah for the next that dies!

Source: Bartleby

Fueling Poverty – The Video!

This short documentary on Nigeria, said to “address the serious issue of corruption in governance” just made news by being banned by the Nigerian Film and Censors Board. I’d never heard of it until today, but since it concerned the government so much as to attempt to put a muzzle on it, then it must have some value for the enlightenment of the citizenry. According to news reports, the documentary was “released late in 2012, was produced by young filmmaker, Ishaya Bako, in partnership with the Open Society for West Africa [OSIWA].

Watch with me!


What do you think after watching it?